Mike has a PhD in mathematics and is professor of spatial informatics in the Department of Computing and Information Sciences, University of Greenwich, London, England, where he is leader of the Greenwich GI Science Research Group (g3). Mike is also an honorary professor at the University of Edinburgh. Until the end of 2012 he was director of the School of Computing and Information Science, and a professor in the National Center for Geographic Information and Analysis (NCGIA) at the University of Maine, USA. He is also a visiting professor at the University of Edinburgh, and held a professorial fellowship at the University of Melbourne, Australia. Mike is a Distinguished Scientist of the ACM, a Life Member of the London Mathematical Society, and received the 2008 UCGIS Research Award. He was a member of the Mapping Science Committee of the National Research Council, under the auspices of the US National Academies of Sciences and Engineering, and Institute of Medicine.
Mike is co-author, with Matt Duckham, of the 2nd edition of the textbook GIS: A Computing Perspective. Mike is also founding editor of the Journal of Spatial Information Science (JOSIS). JOSIS is an international, on-line, open access journal, that publishes top-quality research and review papers in geographic information science.
Mike has worked for many years at the boundary between computer science, mathematics, and geographic information science. His current research interests include:
- Ontologies and data models for dynamic geographic phenomena, including those sensed by wireless sensor networks;
- Formal models of the topology of spatial scenes;
- Unified models of indoor and outdoor spaces;
- Qualitative approaches to spatial reasoning under uncertainty;
- Geospatial technology in the emergency management domain.
Composer and sound artist
Mike is a composer and sound artist, having an interest in both instrumental and electroacoustic music. His instrumental music has been performed at the London Institute for Contemporary Art (ICA), the National Maritime Museum, other venues around London, and the St. Magnus Cathedral, Orkney. He has just completed a work for string quartet. His piano work, ‘Bone Memories’, recently won first prize in the John Halford competition for piano and composition judged by pianist Ian Pace. He also composes electroacoustic works, and is currently collaborating with artists, Charles Paulsen and Pauline Burbidge for an electroacoustic installation at the Edinburgh City Art Centre during the winter of 2017.
As an artist, Mike works on the boundary between art and science, often using mathematical structures as frameworks upon which to build musical works. Another boundary of interest is that between what we call music and the everyday sounds. “There is music in every sound if we can only hear it.”
He is just completing a MMus in Composition at Trinity Laban Conservatoire of Music and Dance, where he has worked principally with Paul Newland, Sam Hayden and Gwyn Pritchard.